The obvious sexism and patriarchy located in today’s advertisements are probably the best kept secrets in the world. The reason being that nobody knows it’s a secret, everyone has separated demonized words like patriarchy and sexism from what’s normal to where it would seem one would have to go above and beyond to be sexist. Another thing that makes it such a well-kept secret is that it’s not at all intentional to be as reinforcing as it is.
Advertisements just want to sell products, and a lot of the time, they use tactics that get to us on a
This model lacks any bad features |
Unfortunately, it unintentionally sells a byproduct, a standard for perfection for humans. Such as the ideal woman being seductive and thin or the ideal man being muscular and aggressive, such ideals have been learned and reinforced and learned and reinforced. Wykes Gunther’s “Body Messages and Body Meanings” shows an experiment that reveals the effects of these ideals. It said
This model acts as a seductress |
We judge our own bodies more than others. 29 percent rated their own bodies from 7 to 10 but 57 percent rated their partners between 7 and 10 / Men prefer short (62%), slim-waisted (73%), long haired (75%), tanned (77%) women. / 74 per cent of both men and women felt they had better sex when they felt about their bodies / 61 per cent felt obese people were responsible for their own predicament / 41 per cent felt the media was responsible for dictating public perceptions of ideal body shape. Fifty one per cent felt the media was one of many factors. (Gunther 704-5)
From this, we can get an idea of the effects that selling ideals are what contribute to ideas like preferences in lovers, feeling bad about one’s body, and feeling like impossible standards are reached through hard work. But there’s really no way to achieve any standards given by ads. In “Beauty and the Beast of Advertising” by Jean Kilbourne explains the perfection of beauty in ads. It says “she has no lines or wrinkles … no scars or blemishes-indeed she has no pores” (Kilbourne, 122). This is clearly impossible, but it’s presence as an ideal woman gives the impression that it is.
Popular culture is reflected in advertisement. It’s sort of like a cycle of continuous reinforcement where we learn what is perfect through media, and then we develop a taste to it because, after so much time seeing it, we’re comfortable with it. Then advertisement takes what is considered perfect and values it to a product, strengthening the idea that their interpretation of perfection is correct.
Although this ad has a pretty model, it does advertise the product quality |
If I was president of advertisements for a day, I would have it so advertisements were boasting their product based on qualities directly related to it. If there needed to be a person on the advertisement, I would have it determined by a random race and gender generator and choose literally anyone. It’s the only way to be fair, because in advertisements today it’s mostly white guys who are spokesman. The effect would be that value would come from the product itself and that it would stop reinforcing the idea that value comes from looking or acting a certain way. The individual products will eventually go away, so their wouldn’t be too much harm to competing brands, while at the same time, people will feel freer to act how they feel is natural and not feel less valuable as a person when they don’t. Such things advertisers today could put in their commercials are statistics, reviews, special ingredients that are uncommon or rare, or anything that adds value to the product that isn’t at the expense of people’s self-worth. Another idea would be to get positive reviews from experts in the field. In that way, value is placed on knowledge.
Works Cited :
Gunther, Wykes. Conclusion: Body Messages and Body Meanings, 705-5
Bordo. Hunger as Ideology, 112
Kilbourne, Jean. Beauty and the Beast of Advertising, 122
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