The
structure of men and women unique and complimentary, however, the body of a
woman is co-owned by both men and women. This idea is often translated into the
objectification of women where women are used and looked at. While this
knowledge is made aware and addressed, it is systematically accepted within the
political, economical, and social realm. Their existence ultimately serves to
fulfill a purpose for the Other.
A
prime example putting the ownership of the body of a woman in question is the
debate of the reproductive rights. Although Jennifer Nelson, in her literary
work, “Women of Color and the Reproductive Rights Movement,” primarily addresses
the racial discrepancy that exists between a white woman and a woman of color’s
access to abortion, she also acknowledges the issue of access across all women.
She cites Ellen Willis, stating “No woman should have to demean herself by
begging and borrowing for an abortion when she had decided she wanted to
terminate a pregnancy… Abortion rights was about ‘asserting autonomy and
subjecthood,” (3). In other words, abortion, to woman is a decision of life and
death for both the unborn child and the mother. And yet external parties
dictate these decisions; the government restricts accesses to abortion and
abortionists deny services, with the goal of silencing the voices of women.
While
Nelson addresses the disparities that exist across the race and social standings
of women, she does not describe the gender inequality that results from the
objectification of women. In a
patriarchy dominated society, male politicians and doctors dictate the
reproductive rights of women. As a result, the voices of women become silenced.
In Audre Lorde’s “The Transformation of Silence into Language and Action*,”
Lorde attempts to explain the detrimental effects of being silenced. Lorde argues
“‘you’re never really a whole person if you remain silent,’” reinforcing the
natural characteristics of both men and women as human beings. In a patriarchal
society, Lorde believes “that we [women] were never meant to survive,”
demonstrating the dehumanizing effects that have risen from the objectification
of women (42).
An Ad reinforcing a woman's dependency on men; it depicts women as a lesser human being. |
The
media is no exception to the subjected influence of a male dominant society.
Like the government, it partakes in stripping a woman’s ability to speak and
act. For example, in Samina Ali’s Huffpost Media article, “What You’ll Never
Hear From the Media About Muslim Women,” Ali addresses the unequal portrayal of
women within the media. Like ads, Ali argues that women are made into a static
image. It nurtures the ideal stereotypical image in conjunction with how
society wants women to be displayed. According to Ali, a Muslim woman, based on
media portrayal exists in three common ways, “veiled, oppressed and most
dangerous of all, homogenous. The media, in a sense, further reinforces the
legislations and mindset of the government. Not only does the media assert what
a typical Muslim woman should be, it generalizes the existence of women. At the
foundations of Ali’s argument, Ali illustrates the dangers of media; not only
doe the media depicts how a woman should be but it also dictates what a womanshould value.
The act of voting on the ideal body of a woman; at the same time, it is belittle those that do not meet the beauty requirements of society. |
However,
the power of media lies beyond the messages and ideologies it reinforces by
making the ideal woman, within a patriarchal society, tangible. It relentlessly
targets audiences of all ages. It determines the values and how values may be assessed.
For example, the media has placed the utmost value on the beauty of a woman; she
is evaluated solely on her outer appearance. By placing a criteria on what a
successful woman is, the media goes beyond the act of silencing women in
society and attack the minds and bodies that do not fit society’s criteria.
Despite
the media’s negative influences, a medium can also be manipulated to produce
the opposite effect. In Melissa Harris Perry’s “Crooked Room” from Sister
Citizen, Perry attempts to dissect media in order to analyze and understand
the role of media and its relationship to the governing rules of society. The
underlying concept that describes this relationship is the social contract made
between society and its citizens. However, the social contract does not ensure
equality within the realms of identity recognition. Perry argues that the
marginal and stigmatized members of society “face fundamental and continuing threats
to their opportunity for accurate recognition,” emphasizing on society’s
failure to present equality, (38). Although the media has manipulated the
framework of the social contract into a double-edged sword, Perry promotes
media literacy in the minority’s battle against unequal identity recognition.
Organizations such as Always, who have started the #LikeAGirl is one of the
many examples of the social movements that have erupted during the 20th
century. These social movements pursue equity through the means of education.
By raising awareness to the legislatives that restrict women, the social
movements have given women across the world, a voice and the ability to act.
Citations
Ali, Samina. "What You Will Never Hear From The Media About Muslim Women." Huffington Post. 2013. Web.
Harris Perry, Melissa. “Crooked Room." Sister Citizen: Shame, Stereotypes, and Black Women in America. 2011. Web.
Lorde, Audrey. “The Transformation of Silence into Language and Action." Sister Outsider. 1984. Sister Outsider. Web.
Nelson, Jennifer. "Introducction." Women of Color and the Reproductive Rights Movement. 2003. Web.
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